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![]() ![]() Offer available for a limited time to new subscribers who connect an eligible device to an Apple device with iOS 15 or later or iPadOS 15 or later. Plan automatically renews until cancelled. Lossless audio is not available with the Apple Music Voice Plan. Note that Hi-Res Lossless requires external equipment such as a USB digital to analog converter.įor a full list of compatible devices, please see /en-ie/HT212183. You can choose between Lossless and Hi-Res Lossless for mobile data or Wi‑Fi connections. Turn on lossless audio in Settings > Music > Audio Quality. You can listen to lossless audio using the latest Apple Music app on an iPhone, iPad, Mac or Apple TV 4K. Lossless and Hi-Res Lossless files are very large and use much more bandwidth and storage space than standard AAC files. In Apple Music, “Lossless” refers to lossless audio up to 48kHz, and “Hi-Res Lossless” refers to lossless audio from 48kHz to 192kHz. Apple Music is making its entire catalogue of more than 100 million songs available in lossless audio at different resolutions. Lossless audio compression reduces the original file size of a song while preserving all the data perfectly. What is lossless audio and how can I listen to it?.Dolby Atmos is not available with the Apple Music Voice Plan. For the full list of compatible devices, please see /en-ie/HT212182. You can also hear Dolby Atmos music using the built‑in speakers on a compatible iPhone, iPad, MacBook Pro, MacBook Air or iMac, or by connecting your Apple TV 4K to one of the following: HomePod speakers set up as the default speakers, a Dolby Atmos–compatible sound bar, a Dolby Atmos–enabled AV receiver, or a television that supports Dolby Atmos audio. For other headphones, go to Settings > Music > Audio and set Dolby Atmos to Always On. When you listen with compatible Apple or Beats headphones or most Bluetooth headphones, Dolby Atmos music plays back automatically when available for a song. Dolby Atmos is an audio technology that creates an immersive listening experience in which sound comes from all around you.Īpple Music subscribers using the latest version of Apple Music on iPhone, iPad, Mac or Apple TV 4K can listen to thousands of Dolby Atmos music tracks using any headphones. ![]() ![]() Oauth_consumer_key and oauth_token parameters. Or a client identifier and resource owner identifier separated byĪ semicolon. The identity component contains either just the client identifier, It can haveÄ«etween 1 to 4 components: identity, secrets, callback and type. The argument processed as components separated by colons. The HMAC-based and PLAINTEXT signature methods supports many RSA-SHA1, but using these arguments for the -auth-type option: The other signature methods work in the same way as HMAC-SHA1 and $ http -auth-type oauth1-plaintext -auth 'clientId: ![]() To use this approach, the -auth argument is just the private key This makes HTTPie easier to use, since the command line The preamble of the private key file can contain the client Including the client key in the private key file Passphrase protected private keys are not supported. The filename can be a relative or absolute path to the file. $ http -auth-type oauth1-rsa-sha1 -auth clientId:filename. The file must contain a PEM formatted RSA private key. Identifier, followed by a colon, and followed by the name of a file containing Oauth1-rsa-sha1, and for the -auth argument provide the client To use the RSA-SHA1 signature method, for the -auth-type argument use See the Advanced auth options section for more ways to use the auth $ http -auth-type oauth1-hmac-sha1 -auth clientId:clientSecret. Putting passwords on the command line is insecure. The value can also just have the client secret after the colon (when Note: the quotes are necessary, because the shell treats the less-than $ http -auth-type oauth1-hmac-sha1 -auth 'clientId:The âclient identifierâ is what OAuth 1.0a calls the RSA-based OAuth 1.0a authentication mechanisms (e.g âoauth1-rsa-sha1â) Run http -help and (under the âAuthenticationâ section) the Note: the quotes are necessary in some shells, because square brackets There can be problems installing the cryptography package on some If the RSA-based signature methodsĪre not needed it may be easier to use the standard install, since Support the RSA cryptographic algorithms: PåAâs cryptography That installs the standard install, plus the Python packages needed to With the ârsaâ extras: $ pip install 'httpie-oauth1' To include support for the RSA-based signature methods, install it âoauth1-hmac-sha1â) will beĪvailable for the -auth-type. Run http -help and (under the âAuthenticationâ section) the OAuthÄ¡.0a authentication mechanisms (e.g. Since httpie-oauth1 depends on httpie, this also installs httpie Methods, but does not have any of the RSA-based signature methods. ![]() Installation Standard install without RSAĪ standard install has all the HMAC-based and PLAINTEXT signature Manually copied between the different requests. ![]() The PLAINTEXT and HMAC-based signature methods, if some values are This plugin can be used to support three-legged OAuth 1.0a with This plugin supports two-legged OAuth 1.0a with all the available It also supports non-standard signature methods, that replaces SHA-1 This plugin supports all the standard signature methods in OAuth Note: OAuth 1.0a is very different to OAuth 2.0. HyperText Transfer Protocol (HTTP) requests. HTTPie is a Python command line program that makes Authentication plugin for HTTPie to support ![]() ![]()
![]() ![]() But the less-rosy reality tests how much patience PepsiCo and Boston Beer have for this product as its momentum stalls. ![]() Current headaches would be more justifiable if HARD MTN DEW were a top seller. Playing the long game is a necessary perspective. PepsiCo, which licenses the HARD MTN DEW name and soda formula to Boston Beer to produce the alcoholic version, has brushed off concerns about this slower-than-expected rollout leadership t old Beverage Digest in Septembe r that the partnership is a long-term one. Boston Beer declined to comment for this story, but founder Jim Koch said during the Beer Insights Seminar in November that regulators in 20-30% of states could block distribution of HARD MTN DEW, presumably due to concerns about how it complicates the traditional three-tier system of alcohol distribution. (Data for Arkansas, the ninth market, is not available.) It was a continuation of months of declines across HARD MTN DEW’s distribution footprint.īoston Beer Co., the company that produces HARD MTN DEW, would no doubt like to offset shrinking sales by opening new states of distribution to inject volume and dollars. 6, HARD MTN DEW posted negative month-to-month sales growth in at least eight of its nine existing sales markets. Now it’s 2.8%.įor the four-week period ending Nov. Tennessee chain stores have sold less every month since the end of April.ĭes Moines, Iowa grocery and big-box stores tracked by IRI show the brand held 18.1% share of FMB sales when it first arrived. In Florida, volume has declined every month in grocery, convenience, and other chain retail stores since it arrived in February. The brand has floundered in its original launch markets: Without new markets, HARD MTN DEW’s overall sales numbers look dismal. Today, it’s struggling, and Dunn says she’s unsure whether it’s still stocked. I n March, a manager at the store said that the product had been selling well and had its own floor display. “We’ve had quite a bit and our manager had to pull cases off the shelf.” ![]() “I don’t think it’s doing too well,” says Tia Dunn, an employee at Fareway Grocery in North Liberty, Iowa. (Blue Cloud did not respond to a request for comment.) Despite arriving to wild fanfare, the flavored malt beverage (FMB)’s failure to capture organic volume adds to a growing list of challenges. Blue Cloud faces r egulatory scrutin y and criticism from existing beer wholesalers who claim, without details, that it has marketed HARD MTN DEW to children. Subscribe to Premiumĭeclining sales for HARD MTN DEW come at a difficult time for the brand and for Blue Cloud Distributing, the wholly owned subsidiary of PepsiCo that distributes it. Big plays, smart moves, and otherwise curious indicators of beer's possible future. ![]() ![]() Next, 6577 (90.6%) reported White ethnicity, 127 (1.8%) working in patient-facing healthcare and 1592 (21.9%) having a long-term health condition. The median age of these 7256 participants was 47 (IQR 34–59) years and 3874 (53.4%) were female (Table 1). Analysis included the 7256/19,588 (37%) participants with at least one anti-spike IgG antibody measurement within days of the start of their first infection episode, who contributed 14,552 antibody measurements (median 2, IQR 1–3, range 1–10 excluding measurements from 3 days after first vaccination) (Supplementary Fig. Then, 19,588 (4.2%) participants ≥16 years were ever PCR-positive, 92 (0.5%) with a second episode >120 days after their first PCR-positive result (median 149, IQR 134–174 days later). We used the Office for National Statistics (ONS) COVID-19 Infection Survey (CIS), a large community-based survey representative of UK’s general population, to investigate predictors of seroconversion following SARS-CoV-2 infection, identify anti-spike IgG antibody trajectories and examine the peak and duration of IgG antibody responses, in particular considering the impact of demographic factors, PCR cycle threshold (Ct) values (inversely related to viral load) and self-reported symptoms on post-infection antibody responses.įrom 26 April 2020 to 14 June 2021, 467,450 participants had one or more throat and nose swab study results (median 10, interquartile range (IQR) 8–12) during a median (IQR) 221 (141–251) days of follow-up. ![]() ![]() Most studies have had small to moderate sample sizes or specific sub-populations large-scale representative population studies are limited. Similarly, anti-nucleocapsid IgG half-lives have been estimated between 35 and 85 days 15, 19, 20, 22. ![]() Estimates for the half-life of anti-spike IgG antibodies (associated with neutralizing activity 16) vary from 36 to 244 days 15, 17, 18, 19, 20, 21, 22, 23. However, the contribution of other factors, including viral load, has not been comprehensively assessed.Īmong those who do seroconvert, data on the trajectory and duration of antibody responses to different SARS-CoV-2 antigens vary, partly reflecting assay-dependent differences even where similar viral antigens are studied 14, 15, as well as differences in the populations and disease groups investigated. The absence of seroconversion is more common following mild vs. However, 5–22% of individuals remain seronegative following infection 11, 12, 13. Seroconversion to viral spike and nucleocapsid antigens usually happens within 1–3 weeks after SARS-CoV-2 infection 6, 7, 8, with peak antibody levels achieved in 4–5 weeks 9, 10. The duration of post-infection immunity has important implications for the future of the pandemic and vaccination policy 5. However, in the months following infection, re-infection is uncommon and anti-spikeSARS-CoV-2 antibodies are associated with protection 2, 3, 4. Till June 2021, over 170 million severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2) infections and over 3 million associated deaths have been reported globally 1. These estimates could inform planning for vaccination booster strategies. We estimated antibody levels associated with protection against reinfection likely last 1.5-2 years on average, with levels associated with protection from severe infection present for several years. The estimated anti-spike IgG half-life was 184 days, being longer in females and those of white ethnicity. Among those who seroconverted, using Bayesian linear mixed models, the estimated anti-spike IgG peak level was 7.3-fold higher than the level previously associated with 50% protection against reinfection, with higher peak levels in older participants and those of non-white ethnicity. lower viral burden), and less frequently reported any symptoms. A latent class model classified 24% of participants as ‘non-responders’ not developing anti-spike antibodies, who were older, had higher SARS-CoV-2 cycle threshold values during infection (i.e. Here we estimated antibody response after SARS-CoV-2 infection in the general population using representative data from 7,256 United Kingdom COVID-19 infection survey participants who had positive swab SARS-CoV-2 PCR tests from 26-April-2020 to 14-June-2021. Understanding the trajectory, duration, and determinants of antibody responses after SARS-CoV-2 infection can inform subsequent protection and risk of reinfection, however large-scale representative studies are limited. ![]() ![]() ![]() Fixed bug in Dead City when player can see Blind One is disappearing.Fixed bug when player can die from gas zone at the start of NG+ with “My weapons set” mode if original playthrough finished with 0 filters.Fixed bug when sandstorm can spawn in Dead City with “Bad weather” mod in NG+. ![]()
![]() ![]() ![]() We believe this is also applicable to other areas in which quality reproduction rendering or perception of color is important. SSI was later revised to add the ability to use other reference illuminants such as blackbody illuminants of arbitrary color temperature and CIE standard illuminants.)Īdditional general information on solid state lighting and how it affects color rendering can be found on the main SSL page:Ĭinematographers see value in an index that provides a level of confidence in color rendering independent of the camera used. (Note: In that presentation, the only reference illuminants postulated were ISO daylight and studio tungsten. SSI is fully described in a presentation that was given to the Society of Motion Picture and Television Engineers (SMPTE) at its technical conference in 2016 (accessible by SMPTE and IEEE members at ). Instructions for using the calculator can be found at: SSI has been adopted and published by the Society of Motion Picture and Television Engineers as a SMPTE standard, ST 2122.Īdditional information on basic lighting and color principles, lighting metrics currently used in motion picture production, why SSI was developed, and how it is calculated, is available in this white paper:Ī tool for calculating the SSI is also available: SSI is useful for cinematography, television, still photography, and human vision. High values indicate predictable rendering by most cameras (as well as “quality” of visual appearance) low values may produce good colors with a particular camera but not with others. Rather, it quantitatively compares the spectrum of the test light with that of a desired reference light source, expressing the similarity as a single number on a scale up to 100 (which would indicate a perfect match). ![]() The TLCI measures rendering by an idealized three-chip camera, which does not adequately account for the differing spectral sensitivities of single-chip cinema- or still-camera digital sensors.įor these reasons, SSI is not based on human vision, nor any particular real or idealized camera, and does not assume particular spectral sensitivities. Existing color metrics were not designed for cinema cameras CRI, for example, is based on human color sensitivity rather than camera sensitivities. These spectral distributions can wreak havoc with color rendition (by both film and digital sensors), since film and digital cameras are all expressly designed to work with, and are indeed optimized for, standard tungsten and daylight. In contrast to the relatively smooth, broad-spectrum power distributions of blackbody emission, tungsten incandescence, and daylight (and the ISO standardizations of these sources), many solid-state lights are characterized by peaky, multimodal, or narrow-band spectral distributions. The Spectral Similarity Index, or SSI, addresses issues with existing indices such as the Color Rendering Index (CRI) and the Television Lighting Consistency Index (TLCI) that make them inappropriate to describe lighting for digital cinema cameras - issues that have become more evident with the emergence of solid-state lighting (SSL) sources such as LED’s. The Academy of Motion Picture Arts and Sciences, working with cinematographers, cinema lighting experts, lighting manufacturers, and lighting, imaging, and camera scientists and engineers, has developed a new index for the spectral evaluation of lights. ![]() ![]() ![]() ![]() Subdivision (b) states that subdivision (a) does "not apply to any person who commits an act that results in the death of a fetus if any of the following apply: (1) The act complied with the Therapeutic Abortion Act. California Penal Code Section 187 Ĭalifornia Penal Code section 187, subdivision (a) defines murder as "the unlawful killing of a human being, or a fetus, with malice aforethought". In the postapocalytic The FP film series, "to 187" another gang member is to defeat them in a dance battle, sometimes resulting in death. Dre's " Deep Cover" or, YNW Melly's " Murder On My Mind". It also features widely in hip-hop culture, such as in Dr. The number "187" has been used by gangs throughout the United States and elsewhere as a synonym for murder this usage has been documented in Florida, Wisconsin, the United Kingdom, Germany and Norway. The number is commonly pronounced by reading the digits separately as "one-eight-seven", or "one-eighty-seven", rather than "one hundred eighty-seven". ![]() Section 187 (often referred to in slang simply as 187) of the California Penal Code defines the crime of murder. For the law on murder in California, see Murder (California). This article is about slang use of the term '187'. ![]() ![]() ![]() 5 Brandenburg Concerto No.2 in F major, BWV 1047 Brandenburg Concerto No.3 in G major, BWV 1048 Brandenburg Concerto No.4 in G major, BWV 1049 C Canonic Trio Sonata in F major, BWV 1040 Concerto for 3 Violins in D major, BWV 1064R Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 Concerto for Oboe and Violin in B-flat major, BWV Anh.22 Concerto for Two Violins Concerto for Violin and Oboe in C minor, BWV 1060R Concerto in G minor, BWV 1056R D Der Friede sei mit dir, BWV 158 F Fugue in G minor, BWV 1026 G Gott fähret auf mit Jauchzen, BWV 43 J Jesu, Joy of Man's Desiring Jesu, nun sei gepreiset, BWV 41 N Non sa che sia dolore, BWV 209 O O Ewigkeit, du Donnerwort, BWV 20 P Partita for Violin No. ![]() # 2 Violin Concertos, BWV 1041-1042 B Bekennen will ich seinen Namen, BWV 200 Brandenburg Concerto No. ![]() |
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